Ashley Harp

Storytelling on Tap

If you live in or around Athens, Ga., grew up here, went to UGA or just passed through town once, you have a Georgia Theatre story. As a long-time local, I have many. I saw The Goonies there. And Jennifer Nettles before she went to Sugarland. And when I lived in North Carolina, a black-and-white photo of the Theatre on my wall represented a little piece of home.

The iconic landmark is more than a historic building – it’s the kind of place you have a history with. For more than a century, people gathered there for meetings, movies and music. Then, in the early morning hours of June 19, 2009, a fire gutted the building and a legend went up in smoke.

To help rebuild the burned-down theatre, Athens brewery Terrapin Beer Co. proposed a series of special edition beers as a means of fundraising. We dubbed it Terrapin’s Georgia Theatre Sessions, in the spirit of a musical jam session.

JS Creative was tapped to develop a plan for the four-part series, in which each brew would represent one of the building’s historic eras: YMCA, movie theatre, music venue and, lastly, bonfire. The challenge: doing justice to two iconic Athens brands, their stories, a contest and a call-to-action in a compelling package that sells and inspires. Like crafting beer, it would require a skilled mash but with images and words.

We continued Terrapin’s tradition of pun-tastic product names like Hopsecutioner with wordplays that incorporated both the beer style and the historic era. For the packaging, we wanted to create a look that was arresting, witty and consistent across a series that illustrated more than a hundred years of history. Designer Brian Steely, an avid music fan, built the first label, Iron Tankard, on the back of the building’s most recognizable feature – the red-lettered marquee.  From there, he stylized the Georgia Theatre circa 1889 when it housed the YMCA’s “Iron Tank” swimming pool and put a vintage tint on the tankard-shaped illustration evocative of Old Stock Ale. I crafted the label copy to conjure the experience of swimming in the Iron Tank, honing in on the details of how people came together in this building – the common thread running through its history.

For subsequent releases, each designer filled the marquee frame with representations of the Theatre through the ages. Lucia Hale’s Art Deco movie theater dressed Double Feature, a Belgian Dubbel that paid homage to the golden era of the silver screen. Jessie Starke’s retro-inspired pre-concert Sound Czech – a Czech-style pilsner – was based on actual photos from the 70s and a recounted moment in the green room. And for Hoptaneous Combustion, a smoked IPA, Mark Miller used a modern printmaking look alongside words recalling that fateful June morning filled with acrid smoke.

Bottled and boxed, all four of Terrapin’s Georgia Theatre Sessions are available in stores. Each of the four brews has a single box that contains a Golden Ticket – a lifetime pass to the rebuilt Theatre. We hope the full box set will set you abuzz with nostalgia.  And that the notes – both in flavor and in words – inspire you to raise a glass to seeing the Georgia Theatre rise from the ashes. Rock on.

BuyLife.org: A Grave Misstep

In case you missed it, Ryan Seacrest and Kim Kardashian died this week. Unlike most celeb news these days, the story did not break on Twitter. Because Seacrest and Kardashian died digitally. Both vowed to silence their social media presence, symbolically snuffing themselves as part of World AIDS Day. Through social media suicide, celebrities angled to motivate fans to “buy their life back” via text messages and online donations to the AIDS organization, Keep a Child Alive.

BuyLife.org features each of the participating celebrities in gratuitous open-coffin shots modeling designer labels and heavily made-up to look glamorously dead – like perhaps the makeup team from Twilight was on call for the shoot. The message beside each glossy photo tells visitors that Alicia Keys, Justin Timberlake and Jay Sean have “sacrificed” their digital lives to save real lives.

That means no more Twitter or Facebook updates from any of them. No more knowing where they are, what they had for dinner, or what interesting things are happening in their lives. From here on out, they’re dead. Kaput. Finished.

The direct comparison of tee-totaling Twitter to the death of AIDS victims in Africa and India falls woefully short of good taste. The message is that losing the real-time update on celeb grocery shopping is comparable to losing a child to an epidemic disease, as noted in this piece from The Christian Science Monitor.

Keep a Child Alive is mentioned, but any real understanding of what it is must be accessed by clicking on the small logo buried in the upper left corner.  Some are questioning the vaguely stated allocation of funds and the touting of so-called “cultural capitalism.” Once on the charity’s site, behold the sharp contrast of those who are really dying – hopeful-faced children – with those who are supposed to be pleading their case. And the argument is based not upon the desperate need for research, education and medical supplies but upon a solicitation that you pay $10 to know their dinner plans.

What is the real message? Save children or save celebs? The confusion between the two may be responsible for the less-than-stellar launch; at present, the cause has raised only $160,000.

Celebrity causes are nothing new; but if the cause is lost behind the celeb, the message rings hollow. When prevalent skepticism demands authentic philanthropy, killing social media simply doesn’t compel. And when it’s truly a matter of life and death, trivial twitter death degrades the real human lives being lost in this plague.